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Jim Ward couldn’t stop moving
the album often sounds like a preview of the supremely surefooted quirkiness of its follow-up
writing for Exclaim
and a UV printed ultra-clear bonus disc vinyl with four exclusive bonus tracks
and in the title track
Run DMC "Raising Hell" Orville Peck Jim Ward couldn’t stop movingUp until Raising Hell, the rap juggernaut we know as Run DMC was still in its building and breaking down doors phase. In 1986 that changed, and in a dramatic way. With their third long player, the group had reached the mountaintop. It was THE record that proved hip hop wasn't a fad. Raising Hell marked an important and significant new era for the group. Leaving producer Larry Smith for up and coming sonic innovator Rick Rubin (still co produced by
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